‘There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.’

Things In Nature Merely Grow is essential reading, especially if you’ve ever been depressed, though it’s not a self help book. It’s Yiyun Li’s insights into existing in what she refers to as an ‘abyss’, ie the world as it is without her children. There is no moving past this abyss, nor does the abyss have an end, there is only the ‘now and now and now and now’. How can one reside in this space, and how does one live a life when a life is not necessarily worth living?

This biography is about death, about thinking instead of feeling, but also about life and linguistics, and the human capacity for language. And of course the limitations of our language, and our ability to understand the world. ‘Yes, I loved them, and still love them, but more important than loving is understanding and respecting my children, which includes, more than anything else, understanding and respecting their choices to end their lives’.

If Didion’s Year of Magical Thinking resonated with you, this book will too.

4th Estate, 2025

On the Iron Range of northern Minnesota, at the end of the last decade, three teenagers shot and killed an older acquaintance after spending the day with him. In a cold, rundown town, the three young people were quickly arrested and imprisoned. No one knows why they did it.

At the time of the murder, Catt Greene and her husband, Paul Garcia, are living nearby in a house they’d bought years earlier as a summer escape from Los Angeles. Undergoing a period of personal turmoil, moving between LA and Minnesota — between the urban art world and the rural poverty of the icy Iron Range — Catt turns away from her own life and towards the murder case, which soon becomes an obsession. In her attempt to pierce through the mystery surrounding the murder and to understand the teenagers’ lives, Catt also finds herself travelling back through the idiosyncratic, aspirational lives of her parents in the working-class Bronx and small-town, blue-collar Milford, Connecticut.

Written in three linked parts, The Four Spent the Day Together explores the histories of three generations of American lives and the patterns that repeat over lifetimes, and is a piercing commentary on the pressures of lives lived on the edge.

Scribe, 2025

An unnamed narrator grows up overshadowed by her unconventional mother, an ex–Jehovah’s Witness and former television star with an inferiority complex. Her father is the head of a psychiatric institution, whose only form of parenting is to offer his daughter the same life advice he dispenses to his patients. Reserved and somewhat aloof, he chooses not to intervene when his wife obsesses about charisma, calorie counting, and turning their daughter into a child prodigy.

Their daughter strives to meet her mother’s expectations and bond with her father while secretly worrying she lacks the drive or charisma to do anything significant with her life. When her mother is diagnosed with terminal cancer, she begins to address their generational trauma, forge a new relationship with her father, and discover life on her terms. In twelve chapters — each reflecting a different phase of life — Posthuma expertly dissects a fraught family history, exposing the absurdity that often lies at the heart of life’s most poignant and challenging moments.

Translated from the Dutch by Sarah Timmer Harvey.

Scribe, 2025

Sunday follows, over the course of one day, the stream of consciousness of a fictionalized version of the author’s cousin, Thibault. On the day of his girlfriend’s return from an extended trip, Thibault wakes up, does nothing, gets James Brown stuck in his head, drinks and smokes, grows paranoid about his relationship, struggles to compose text messages, and watches The Da Vinci Code, all the while avoiding anyone and everyone, descending deeper into his own thoughts and fears. Meanwhile, a former crush and another cousin of Thibault’s plan a surprise birthday for him, sending the external and internal on a collision course.

Schrauwen’s brilliant comic timing and formal mastery transcends the quotidian nature of the plot. Through use of color, flashback and the dissonance between text and image, the ways in which Schrauwen layers a depiction of human consciousness as lines on paper are infused heavily with slapstick and white-knuckle tension and make for an exhilarating read and breathtaking use of the comics medium.

Fantagraphics, 2024

It all began when they started running away . . .

Life for Winona Dalloway is not as it should be. Her husband is no longer her husband, her children are not at home with her, and the city in which she lives is besieged by fires. Black ash falls like snow, songbirds screech like dinosaurs, and the doctors are calling her mad …

In this looking-glass world, Winona is forced to prove she is a sane, rational human being. As the pronouncements of the professionals grow more insistent, so too do the voices crowding inside Winona’s head. She seeks solace in the company of plants and animals, and begins to imagine an entirely other way of being – one that might make whole her broken heart.

Scribe, 2025

It is the late 1980s, the closing years of Thatcher’s Britain. For the Trainspotting crew, a new era is about to begin – a time for hope, for love, for raving.

Leaving heroin behind and separated after a drug deal gone wrong, Renton, Sick Boy, Spud and Begbie each want to feel alive. They fill their days with sex and romance and trying to get ahead; they follow the call of the dance floor, with its promise of joy and redemption.

Sick Boy starts an intense relationship with Amanda, his ‘princess’ – rich, connected, everything that he is not. When the pair set a date for their wedding, Sick Boy sees a chance for his generation to take control at last. But as the 1990s dawn, will finding love be the answer to the group’s dreams or just another doomed quest?

Irvine Welsh’s sequel to his iconic bestseller Trainspotting tells a story of riotous adventures, wild new passions, and young men determined to get the most out of life.

Jonathan Cape, 2025