From the bestselling author Bruce Pascoe comes a deeply personal story about the consequences and responsibility of disrupting Australia’s history.

When Dark Emu was adopted by Australia like a new anthem, Bruce found himself at the centre of a national debate that often focussed on the wrong part of the story. But through all the noise came Black Duck Foods, a blueprint for traditional food growing and land management processes based on very old practices.

Bruce Pascoe and Lyn Harwood invite us to imagine a different future for Australia, one where we can honour our relationship with nature and improve agriculture and forestry. Where we can develop a uniquely Australian cuisine that will reduce carbon emissions, preserve scarce water resources and rebuild our soil. Bruce and Lyn show us that you don’t just work Country, you look, listen and care. It’s not Black Duck magic, it’s the result of simply treating Australia like herself.

From the aftermath of devastating bushfires and the impact of an elder’s death to rebuilding a marriage and counting the personal cost of starting a movement, Black Duck is a remarkable glimpse into a year of finding strength in Country at Yumburra.

Thames & Hudson, 2024

London, chief city of Airstrip One, the third most populous province of Oceania. It’s 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen – cheerfully cynical, believing in nothing and caring not at all about politics. She routinely breaks the rules but also collaborates with the regime whenever necessary. Everyone likes Julia. A diligent member of the Junior Anti-Sex League (though she is secretly promiscuous) she knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child spies and the black markets of the prole neighbourhoods. She’s very good at staying alive.

But Julia becomes intrigued by a colleague from the Records Department – a mid-level worker of the Outer Party called Winston Smith – when she sees him locking eyes with a superior from the Inner Party at the Two Minutes Hate. And when one day, finding herself walking toward Winston, she impulsively hands him a note – a potentially suicidal gesture – she comes to realise that she’s losing her grip and can no longer safely navigate her world.

Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell’s Nineteen Eighty-Four, here, finally, is a provocative, vital and utterly satisfying companion novel.

Granta, 2024

There are two things that I can simply not tolerate: feminists and margarine.

Gourmet cook Manako Kajii sits in Tokyo Detention Centre convicted of the serial murders of lonely businessmen, who she is said to have seduced with her delicious home cooking. The case has captured the nation’s imagination but Kajii refuses to speak with the press, entertaining no visitors. That is, until journalist Rika Machida writes a letter asking for her recipe for beef stew and Kajii can’t resist writing back.

Rika, the only woman in her news office, works late each night, rarely cooking more than ramen. As the visits unfold between her and the steely Kajii, they are closer to a masterclass in food than journalistic research. Rika hopes this gastronomic exchange will help her soften Kajii but it seems that she might be the one changing. With each meal she eats, something is awakening in her body, might she and Kaji have more in common than she once thought?

Inspired by the real case of the convicted con woman and serial killer, “The Konkatsu Killer”, Butter is a vivid, unsettling exploration of misogyny, obsession, romance and the transgressive pleasures of food in Japan.

4th Estate, 2024

James is an enthralling and ferociously funny novel that leaves an indelible mark, forcing us to see Mark Twain’s The Adventures of Huckleberry Finn in a wholly new and transformative light.

The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he decides to hide on nearby Jackson’s Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town.

Thus begins a dangerous and transcendent journey by raft along the Mississippi River, toward the elusive promise of free states and beyond. As James and Huck begin to navigate the treacherous waters, each bend in the river holds the promise of both salvation and demise.

With rumours of a brewing war, James must face the burden he carries: the family he is desperate to protect and the constant lie he must live. And together, the unlikely pair must face the most dangerous odyssey of them all . . .

From the shadows of Huck Finn’s mischievous spirit, Jim emerges to reclaim his voice, defying the conventions that have consigned him to the margins.

Mantle, 2024

We Don’t Know Ourselves is a very personal vision of recent Irish history from the year of O’Toole’s birth, 1958, down to the present. Ireland has changed almost out of recognition during those decades, and Fintan O’Toole’s life coincides with that arc of transformation. The book is a brilliant interweaving of memories (though this is emphatically not a memoir) and engrossing social and historical narrative. This was the era of Eamon de Valera, Jack Lynch, Charles Haughey and John Charles McQuaid, of sectarian civil war in the North and the Pope’s triumphant visit in 1979, but also of those who began to speak out against the ruling consensus – feminists, advocates for the rights of children, gay men and women coming out of the shadows. We Don’t Know Ourselves is an essential book for anyone who wishes to understand modern Ireland.

Head of Zeus, 2021