Comedian and self-described design nerd Tim Ross takes a nostalgic look at classic objects from the Stackhat to the Speedo.

There are certain memories that will be familiar to anyone who grew up in Australia between the 1960s and the 1990s. Things like traipsing to the caravan-park toilet with a Dolphin torch at night, indulging in crème de menthe from a Regis glass, lobbing a banana peel at a Nylex flip-top bin and sporting a new Stackhat while riding your BMX bike.

Celebrating 60 objects that were designed and made in Australia, Tim Ross of @modernister transports us back in time and pays tribute to objects that you might be lucky enough to still find in your home or backyard shed. There are colourful photos, previously untold stories and fascinating narratives, making this book equal parts retro-design celebration, pop-culture treasure trove and nostalgic adventure.

What a Ripper! also reveals the high standard of design in this country, which is often overlooked. Now our unique design ingenuity is getting the attention it deserves, helping us to rediscover just how important and meaningful these iconic everyday objects really are.

Murdoch Books, 2025

Presenting 415 album covers – beautifully reproduced, expertly laid out and accompanied by deeply researched text – Maps on Vinyl will especially appeal to map enthusiasts, vinyl junkies, music fans, graphic designers and artists. 

The book is the brainchild of renowned Australian cartographer Damien Saunder, whose expertise has been utilised by Apple, National Geographic, Earth (the world’s largest atlas) and even Roger Federer. A keen crate-digger, he has amassed possibly the world’s most extensive private collection of records featuring maps on their covers, resulting in this one-of-a-kind book. 


The records headlined span music from 1939 to today, and the book is divided into eight chapters highlighting different aspects of the collection – ‘C(art)ography’, ‘We Built This City’, ‘On the Road’, ‘African Beats’, ‘Astroworlds’, ‘Ocean Whispers’, ‘Maps with Attitude’ and ‘Music from Here’. 

Maps on Vinyl is a beautiful artefact, but it’s also an important historical and cultural document, revealing how maps have been used in album cover design to reinforce a lyrical story, share a political view, express concern for the state of the world or creatively identify the origins of the music and the people who make it.

Damian Saunder, 2025

Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November 18^th repeats itself endlessly. We meet Tara on her 122^nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin? Will she ever be able to share her new life with her beloved and now chronically befuddled husband? And on top of her profound isolation and confusion, Tara takes in with pain how slight a difference she makes in the world. (As she puts it: “That’s how little the activities of one person matter on the 18th of November.”)

This is a novel in seven volumes, with the first two volumes now in English, translated from the original Danish by Barbara J. Haveland. The first volume’s gravitational pull—a force inverse to its constriction—has the effect of a strong tranquilizer, but a drug under which your powers of observation only grow sharper and more acute. Give in to the book’s logic (the thrilling shifts, the minute movements, the slant wit, the slowing of time), and its spell is utterly intoxicating.

New Directions Publishing, 2024

Contradictions (both real and apparent), oppositions, enigmas, provocations, challenges—this is the kind of material that makes a life, and is the kind of material that, in fiction, one is never quite sure of. With Pretty Ugly, Kirsty Gunn reminds us again that she is a master of just such material, presenting ambiguity and complication as the essence of the storyteller’s endeavour.

The sheer force of life that Gunn is able to load these stories up with is both testament to her unrivalled skill and an exercise in what she describes as ‘reading and writing ugly’, in order to pursue the deeper truths that lie at the heart of both the human imagination and human rationality.

So here we have all the strange and seemingly impossible dualities that make up real life—and pretty ugly it can be, as well as beautiful, hopeful, bleak, difficult, exhilarating. But never, ever dull.

Rough Trade, 2025

What are we given, and what do we have to take for ourselves?

It is the 1990s. Growing up in Zanzibar, three very different young people – Karim, Fauzia and Badar – are coming of age, and dreaming of great possibilities in their young nation. But for Badar, an uneducated servant boy who has never known his parents, it seems as if all doors are closed.

Brought into a lowly position in a great house in Dar es Salaam, Badar finds the first true home of his life – and the friendship of Karim, the young man of the house. Even when a shattering false accusation sees Badar sent away, Karim and Fauzia refuse to turn away from their friend.

But as the three of them take their first steps in love, infatuation, work and parenthood, their bond is tested – and Karim is tempted into a betrayal that will change all of their lives forever.

Bloomsbury, March 2025