Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November 18^th repeats itself endlessly. We meet Tara on her 122^nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin? Will she ever be able to share her new life with her beloved and now chronically befuddled husband? And on top of her profound isolation and confusion, Tara takes in with pain how slight a difference she makes in the world. (As she puts it: “That’s how little the activities of one person matter on the 18th of November.”)

This is a novel in seven volumes, with the first two volumes now in English, translated from the original Danish by Barbara J. Haveland. The first volume’s gravitational pull—a force inverse to its constriction—has the effect of a strong tranquilizer, but a drug under which your powers of observation only grow sharper and more acute. Give in to the book’s logic (the thrilling shifts, the minute movements, the slant wit, the slowing of time), and its spell is utterly intoxicating.

New Directions Publishing, 2024

Contradictions (both real and apparent), oppositions, enigmas, provocations, challenges—this is the kind of material that makes a life, and is the kind of material that, in fiction, one is never quite sure of. With Pretty Ugly, Kirsty Gunn reminds us again that she is a master of just such material, presenting ambiguity and complication as the essence of the storyteller’s endeavour.

The sheer force of life that Gunn is able to load these stories up with is both testament to her unrivalled skill and an exercise in what she describes as ‘reading and writing ugly’, in order to pursue the deeper truths that lie at the heart of both the human imagination and human rationality.

So here we have all the strange and seemingly impossible dualities that make up real life—and pretty ugly it can be, as well as beautiful, hopeful, bleak, difficult, exhilarating. But never, ever dull.

Rough Trade, 2025

What are we given, and what do we have to take for ourselves?

It is the 1990s. Growing up in Zanzibar, three very different young people – Karim, Fauzia and Badar – are coming of age, and dreaming of great possibilities in their young nation. But for Badar, an uneducated servant boy who has never known his parents, it seems as if all doors are closed.

Brought into a lowly position in a great house in Dar es Salaam, Badar finds the first true home of his life – and the friendship of Karim, the young man of the house. Even when a shattering false accusation sees Badar sent away, Karim and Fauzia refuse to turn away from their friend.

But as the three of them take their first steps in love, infatuation, work and parenthood, their bond is tested – and Karim is tempted into a betrayal that will change all of their lives forever.

Bloomsbury, March 2025

The gentle giant Florian Herscht has a problem: having faithfully attended Herr Koehler’s adult education classes in physics, he is convinced that disaster is imminent. And so, he embarks upon a one-sided correspondence with Chancellor Angela Merkel, to convince her of the danger of the complete destruction of all physical matter. Otherwise, he works for the Boss (the head of a local neo-Nazi gang), who has taken him under his wing and gotten him work as a graffiti cleaner and also a one-room apartment in the small eastern German town of Kana. The Boss is enraged by a graffiti artist who, with wolf emblems, is defacing all the various monuments to Johann Sebastian Bach in Thuringia. A Bach fanatic and director of an amateur orchestra, he is determined to catch the culprit with the help of his gang, and Florian has no choice but to join the chase. The situation becomes even more frightening, and havoc ensues, when real wolves are sighted in the area…

Written in one cascading sentence with the power of atomic particles colliding, Krasznahorkai’s novel is a tour de force, a morality play, a blistering satire, a devastating encapsulation of our helplessness when confronted with the moral and environmental dilemmas we face.

New Directions Publishing, 2024

The story of a nameless father and son trying to survive with their humanity intact in a postapocalyptic wasteland where Earth’s natural resources have been diminished, and some survivors are left to raise others for meat, The Road is one of Cormac McCarthy’s bleakest and most prescient novels. Dedicated to his son, John Francis McCarthy, McCarthy’s The Road is also one of his most personal novels. Among a string of other awards, it was the recipient of the Pulitzer Prize for literature.

This first official graphic novel adaptation of McCarthy’s work is illustrated by acclaimed French cartoonist Manu Larcenet, who ably transforms the world depicted by McCarthy’s spare and brutal prose into stark ink drawings that add an additional layer to this haunting tale of family love and human perseverance. Cormac McCarthy personally approved the making of this book before his death, and the adaptation bears the approval of the McCarthy estate.

Abrams, 2024